Indie publishing awards go to Memphis authors

 
ducks.jpg                                                                       Photo by Lisa Waddell Buser


Memphis creators of independent books prospered in this year's awards season.

Michael Thompson, retired from the Thompson & Co. advertising firm, has a new career in publishing that has resulted in the two-volume "David: The Illustrated Novel" from his own Shepherd King Publishing. Volume 2 of "David" took home first prizes for best graphic novel and best interior design from the International Book Awards announced by USA Book News this month in Los Angeles.

Thompson founded Shepherd King to publish the first volume in 2010 of "David," in which he tells the story of the biblical figure up to his 30th year. The second volume covers the last 40 years of King David's life, in dialogue by Thompson with illustrations by Mitch Foust.

And last month in New York, the Independent Publisher Book Awards presented a silver medal in its sports and recreation category to "A Million Wings," written by ArtsMemphis president Susan Schadt with photographs by Lisa Waddell Buser.

For "A Million Wings," Schadt and Buser chronicled the lore and traditions of 12 hunting clubs scattered across Missouri, Kentucky, Arkansas, Mississippi and Louisiana. The longstanding sites -- with characterful names such as Greasy Slough, Screaming Wings and Fighting Bayou -- are kept mostly by collections of well-to-do families and their friends who have, in the process of maintaining their sport, become the noble caretakers of environments that are essential to migrating waterfowl.

Buser's breathtaking panoramic photographs of sunrise scenes in watery woods and massed birds in flight go a long way to explain the hunters' devotion to their avocation.

Aside from providing rich descriptions of club history, the text honors the individual personalities of each club. At Cuivre in Missouri, for instance, hunts begin late in the day, letting "the ducks get up of their own accord," while at Greasy Slough, "it was not unheard of for members to drive to the property at 2 a.m. or earlier to stake claim on their hold of choice."

Schadt founded Wild Abundance Publishing, which has released three books on the hunting-club culture of the Mississippi Flyway.


Corey Mesler story joins Narrative network

 

The work of Memphis writer Corey Mesler sometimes travels in exclusive circles.
Among admirers of Mesler's poetry is Garrison Keillor, he of "A Prairie Home Companion" fame, whose "Good Poems, American Places" published two years ago by Viking, included Mesler's "Sweet Annie Divine," sandwiched between poems by Emily Dickinson and William Carlos Williams.

mesler.jpegNow Mesler finds himself in the company of writers including Michael Cunningham, James Lee Burke, Salman Rushdie, Ian McEwan and Khaled Hossseini for a project called "How to  Be a Man," organized by Esquire and Narrative magazines.

The author Colum McCann, among the project initiators, calls it "the most ambitious literary project that any organization has done in years." Narrative4 is described as a catalyst for social change: "We believe the world is forever transformed when we share our stories, and that seeing through other people's eyes and walking in their shoes amounts to radical empathy," says a declaration on Narrative4.com.

Stories "by more than 100 of the world's greatest authors" are collected on the website, and can be purchased for a $5 fee after their initial appearance.

Mesler's contribution to "How to Be A Man" begins: "Waiting in his therapist's office, Rodney Carp was reading a women's magazine, an article about a man who built an entire home underwater. Because Rodney had lived his life with the name Carp and taken a bloody bruising for it, he was fascinated by all things aquatic." You can pay $5 to find out how it ends.

Mesler, who co-owns Burke's Book Store with his wife, Cheryl, said he was "humbled and proud" to be included. He credited his friend, the writer Liz Flock, with recommending him for the project.

Raymond Atkins signs 'Camp Redemption' at Burke's Books

 
Raymond L. Atkins will appear at Burke's Book Store, 936 S. Cooper, at 5:30 p.m. on June 6. Call 901-278-7484 for information.

By TINA LoTUFO, Chapter16.org


Winner of the 2011 Ferrol Sams Award for Fiction, "Camp Redemption" (Mercer University Press, $25) by Georgia author Raymond L. Atkins tells the story of Early Willingham, a mild-mannered mechanic with a fondness for Schlitz malt liquor, and his strong-willed, Scripture-quoting, clairvoyant sister, Ivey.

camp.jpegThey are the last of a long line of Willinghams and the proprietors of a children's Bible camp near Sequoyah, Ga., at the southern tip of the Appalachians. The land on which the camp is built has been in their family for more than 200 years -- ever since their ancestor, Seaborn Willingham, took a mattock to the previous owner, a Chickasaw named Robert Corntassel.

Encompassing more than 400 acres, the Willingham Valley, as it subsequently came to be known, includes a lake and a river, Native-American burial mounds, prehistoric cave paintings, a Willingham family cemetery, various camp buildings, and a small marijuana patch (purely for Early's own recreational use). The name of the camp comes from a Civil-War-era encampment established on the grounds by Seaborn's son, Munroe, "the first of several Willingham men to eventually get himself shot for no particularly good reason."

When Munroe was deemed unfit for service in the Confederate Army, "due to a combination of hunched back, weak chest, bad eyes, crooked fingers, and clubbed foot," he established his own training camp, "Camp Redemption," which attracted those who were similarly afflicted. These "Georgia Irregulars" engaged in their first and final battle in May of 1864, when they were routed by the Union Army 30 miles outside of Willingham Valley. Sustaining a fatality rate of 100 percent (to the enemy's zero), the Georgia Irregulars passed into the history books without ever knowing that "they might just have well have stayed on the porch, sipped good corn whiskey, and talked about the weather or the price of hogs."

Double Duty: Atkins promotes two novels during Memphis stop

 
By JAMES DOWD, dowd@commercialappeal.com

On a recent spring afternoon -- perfect weather for a visit to the Memphis Zoo -- Oxford, Miss.-based author Ace Atkins traveled to the Bluff City with his wife and two sons for just such an outing.

ace.jpgThe road trip was a respite between national book tours, Atkins decided, sandwiched in between the end of one 10-city jaunt to promote "Robert B. Parker's Wonderland" (G.P. Putnam's Sons, $26.95) and the start of a campaign to support "The Broken Places" (also G.P. Putnam's Sons, $26.95). The excursion would also allow Atkins a few hours to savor the ambience of one of his favorite spots.

"I love this city. I really do," Atkins said while taking a short break from family time at the zoo to walk around Downtown Memphis. "It sounds cliché, but it's absolutely true. There's soul here. Memphis is rich in history and offbeat characters, and anybody who comes here feels it."

Atkins obviously feels it, and he continues to express his affection for Memphis through his novels, which often include references to the city and its inhabitants. But he has also adopted -- and perhaps been adopted by -- another city that also figures prominently in his work these days.

Atkins has worked double duty the past couple of years, publishing two novels each spring by alternating between the markedly different worlds of urban New England and the rural South. It's a demanding schedule, generating two 300-plus-page books each year, but one that Atkins relishes. A Pulitzer Prize-nominee for his newspaper reporting at The Tampa Tribune, Atkins left the news industry in 1997 to focus on fiction, and the career move has proved increasingly profitable.

His "Robert B. Parker's Wonderland" was released on May 7 and debuted on The New York Times Top 10 hardcover fiction best-seller list, the second consecutive time Atkins landed on the list.

He'll be in Memphis on June 5 in support of that book as well as "The Broken Places," the third installment in his Quinn Colson series set in North Mississippi, which was released May 30.

By LAWRENCE WELLS, Special to The Commercial Appeal

"The One-Way Bridge" is author Cathie Pelletier's 10th novel and the fifth set in a fictional town she calls "Mattagash," loosely based on her hometown of Allagash, Maine, an isolated logging community a stone's throw from Canada with a one-way bridge that in her hands becomes a brilliant metaphor for love-it-or-leave-it rural America.

cathie.jpegPelletier may well be the northernmost writer in the lower 48 states. Her hometown of Allagash is less than four miles from the Canadian line. "Of the writers born and raised in Maine," says Pelletier, "including Stephen King and Carolyn Chute, no one but me is writing professionally north of Bangor. I'm alone in the wilderness. You'll often see a moose standing in the road."

Yet her writing is quintessentially Southern. After college, she moved to Nashville to become a songwriter. She wrote poetry, studied creative writing at Vanderbilt, and began writing "The Funeral Makers," which novelist Lee Smith has called "the first Northern Southern novel."
"We have the same Celtic storytellers in our genes," says Pelletier. "I found my writing voice in the South and wrote all my novels there. I know more about Southern writers than I do about New Englanders. I can feel and smell the South when I just think of it."  

bridge.jpegPelletier will be reading and signing books at 6 p.m. June 6 at The Booksellers at Laurelwood in Memphis, and at 5 p.m. June 7 at Square Books in Oxford, Miss., hometown of William Faulkner.

This will be another homecoming for Pelletier, who served as a judge of the Faux Faulkner Contest and was a friend of contest co-founder, the late Dean Faulkner Wells, the 20th century author's niece and ward.

Faulkner told the history of the South starting with the Chickasaws, white settlers, slavery, Civil War, Reconstruction and carpetbaggers, and the rise of the avaricious, unprincipled Flem Snopes. Pelletier writes about her ancestors, French Catholics on her father's side, English protestants on her mother's, Loyalists who immigrated from Boston to Canada in the 18th century and traveled up the St. John River to found the logging community of Allagash.
Faulkner lived and wrote in small, isolated Oxford, which had a university but no literary tradition to speak of. Pelletier was even more isolated. In the 1960s when she began writing as a child, the closest library was 30 miles away, a monthly book-mobile the only source of books. No one passed through town, for the road dead-ended after the last house.

Faulkner created comic characters like V.K. Ratliff, a sewing-machine salesman who brings news and gossip to isolated farmer's wives and general stores. In "The One-Way Bridge" (Sourcebooks Landmark, $24.99), Pelletier's salesman, Billy Thunder, sells Viagra that he buys online. The wives of Mattagash have been praying for their husbands to become impotent. Billy placates them by selling bogus Viagra.

Mattagash may remind readers of Faulkner's Frenchman's Bend. Both places are near rivers. Allagash is Abenaki for "where rivers meet." Yoknapatawpha is Chickasaw for "people of the gentle water."

Both authors mined the stories and characters they saw around them and their work caused an uproar in their hometowns. "Sanctuary" got Faulkner in trouble in 1931, when this sensationalistic novel about a college socialite, Temple Drake, kidnapped into white slavery, turned Oxford on its ear. Locals called him "Count no Count."

Even now, 51 years after Faulkner's death, Oxford residents share a heightened awareness of the real and fictional. There are theories about the "real" identity of Temple Drake. A popular parlor game is "guess who's a Snopes." Visitors search for the ditch where Joe Christmas, of "Light in August," crawled to escape a lynch mob. A plaque outside the courthouse reminds them that they are standing at the hub, the center, of Faulkner's "Yoknapatawpha County."

Pelletier has her Snopeses, too, though with a Maine temperament; and regional prejudices. One reader sent a letter to the local newspaper saying,  "What has Allagash done to Cathie Pelletier that she would write this book?" Says Pelletier, "I hope she gets out her pen and writes another letter about 'The One-Way Bridge.'"

Just as Faulkner came home and never stayed away from Oxford for long, Pelletier has returned to Allagash, the source of her inspiration, and to the family homestead where she was born and where her father, Louis, who built the house, still lives. Not only is the past not dead. It won't leave her alone. Like Faulkner, she writes about what she knows, wresting from her own postage stamp of native soil a fictional community of eccentric, provincial, wildly funny, wickedly wise thieves, lovers, lumbermen and their women in a town called Mattagash.

Lawrence Wells, author and co-founder of The Faulkner Newsletter and Yoknapatawpha Review, lives in Oxford, Miss.

In his debut novel "Southern Cross the Dog," Bill Cheng writes in rich detail about a young black man's escape from the 1927 floodwaters in Issaquena County, Mississippi, to a brothel in the town of Bruce east of the Delta, where his path crosses that of a combination voodoo practitioner and piano blues master.

When he left behind the "twisting mule paths" of Crookhand Farm, the character Robert Lee Chatham missed "the grove of tupelos, and the heady perfume that, in the summer, would wash out from its depths." In Bruce, when he goes to do laundry for a prostitute, Robert could hear the Skuna River "beyond the lawns of sweetgrass and reed beds, rilling over the rocks."
Cheng may be treated to such sounds and smells himself for the first time next week.

cheng.jpegThe 29-year-old author, the son of Chinese immigrants, grew up in Queens, N.Y., and now lives in Brooklyn. On his book tour for "Southern Cross the Dog," he'll be visiting Mississippi, as well as Tennessee and Georgia, for the first time.

"It's a sensitive issue, it can be for some people, having someone from the Northeast appropriate something that I do not have a specific claim to," Cheng said by telephone from Brooklyn. "I would not want the work to be offensive to anyone, or provocative. But I can't not write the book that I want to write."

Prominent among the writers who endorse "Southern Cross the Dog" (Ecco, $25.99) on the book cover is Edward P. Jones, whose story collections center on African-American characters in Washington, D.C., and whose Pulitzer Prize-winning novel "The Known World" is about a black planter and slaveholder in pre-Civil War Virginia. "Cheng has carved out his own creative and accomplished path," Jones writes.

dog.jpegIn a feature about Cheng's decision to write a Southern novel without seeing the South, The New York Times sought an expert's opinion on the success of the venture. Richard Howorth, owner of Square Books in Oxford, Miss. - described as a "revered authority on Southern literature" - is quoted saying he was "suspicious" of the book before he read it, but, "I was won over."

When a character says, for instance, "I ain't got nobody in no Winona," it is Cheng's imagination, not his experience, at work in the language.

"I started with some blues music," says Cheng. "I wanted to write a book about the country blues and base it in Mississippi, with the sort of imagery and folklore of that place."
The book was the start of his master of fine arts thesis at Hunter College. "You start with a whisper, an image, a gesture, and sort of pull on that," he said of the story.

Cheng's love for the blues drew him to the epic Mississippi River flood and the era immediately following it. "John Lee Hooker and Charley Patton have very definitive songs about the 1927 flood," he said. In his acknowledgments, Cheng thanks the ghosts of 18 bluesmen, alphabetically, from Big Bill Broonzy and R.L. Burnside to Howlin' Wolf and Bukka White.

Bill Cheng, author of "Southern Cross the Dog," will visit Lemuria Books in Jackson, Miss., at 5 p.m. May 20. He'll appear at Square Books in Oxford, Miss., at 5 p.m. May 21. At 6:30 p.m. May 22, he'll be at Parnassus Books in Nashville before heading to the Decatur (Ga.) Arts Festival. 

Stuttering boy finds his inner voice in 'Paperboy'

 
By TINA LoTUFO for CHAPTER16.org

When the unnamed narrator of "Paperboy," Vince Vawter's semi-autobiographical novel for all ages, agrees to take over his best friend Rat's paper route for a month during the summer after sixth grade, he has no inkling of the complicated events about to unfold.

paperboy.jpegSet in Memphis in 1959, "Paperboy" is about one introspective young boy who is unable to say even his own name without stuttering. "I probably get over things that hurt faster than most kids," he writes. "I don't have much of a choice seeing as how my stuttering hurts me so many times during a day."

He has learned a few tricks to help him push out the sounds that get stuck. Singing the words sometimes helps, and so does shouting. Doing something physical  -- swinging or tossing a pencil in the air and catching it as he speaks -- can work too. What mostly helps, though, is a technique he learned from his speech therapist: "Gentle Air" involves pushing out a little breath before attempting a difficult sound. "When I feel like I'm going to have trouble saying a word," he explains, "I try to sneak up on it by making a hissing noise. When you're 11 years old, it's better to be called a snake than a retard."


Vince Vawter signs 'Paperboy' at Laurelwood

 
Memphis native Vince Vawter will sign his novel 'Paperboy' (Delacorte Press, $16.99) at 6 p.m. May 15 at The Booksellers at Laurelwood, 387 Perkins Ext.

vawter.jpegVawter grew up in Memphis, in the Midtown neighborhood now called Central Gardens, where his novel "Paperboy" is set. He worked at the Memphis afternoon newspaper, the Press-Scimitar, from 1970 until it closed in 1983, and was managing editor of the Knoxville News Sentinel from 1984 to 1995. He moved to the Evansville (Ind.) Courier & Press in 1996 as editor and president and was named publisher in 1997. He  retired in 2004 and lives in Louisville, Tenn.

By e-mail, Vawter told The Commercial Appeal that "Paperboy," originally written for adults, was reconceived as a young-adult novel because of a suggestion by his agent.
"While it is suitable for younger readers, I like to think of it as a book for all ages," he said. "After all, the book includes Voltaire, ancient and modern philosophy, existentialism and a discussion of the soul. And Howdy Doody, too."

Q: The story is set in the 1950s, which is described as a slower, more peaceful time, but the paperboy who struggles with his stuttering encounters scary aspects of life on his route -- alcoholism, domestic violence, an unstable junk collector who haunts the alleys.

 A: The junkmen with their carts were ubiquitous, but they were not threatening. I liked all of them, mostly because they would just wave to me and didn't make me talk. Most of them made their livings by doing odd jobs around the neighborhood. I guess as I met new people (I was a sub for one month on a Press-Scimitar paper route), I discovered another side of the neighborhood -- and of myself.

Richard Bausch wins Rea Award for the Short Story

 
This year's Rea Award for the Short Story and its $30,000 prize go to the widely admired writer Richard Bausch, whose story collection "Something Is Out There" was published in 2010 while he was teaching at University of Memphis.

bausch.jpegRichard Ford, a 1995 winner and one of two jurors for the current award, said no one should have been surprised by the announcement about Bausch, the author of eight collections of stories and 11 novels, including "Peace." Bausch is also longtime editor of The Norton Anthology of Short Fiction.

"For him to win the Rea Award is correcting a terrific oversight in the world of short fiction," Ford said by phone from New York, where he teaches at Columbia University. "There's nothing he's doing excellently now that he hasn't been doing excellently for two decades, maybe longer."

Of the award, Ford said, "Among story writers, it's sort of the crème de la crème." Previous winners include Ford and his fellow juror Stuart Dybek, as well as Eudora Welty, John Updike, Lorrie Moore and Tobias Wolff.

While Ford and Dybek may have thought the choice of Bausch was inevitable, the author himself was caught off guard when he got the call from Elizabeth Rea, whose late husband, Michael, established the award in 1986.

Eric Jerome Dickey comes home to sign 'Decadence'

 
Though he's only an occasional visitor now, fiction writer Eric Jerome Dickey still calls Memphis home.

dickey.jpegBy phone from Atlanta this month, Dickey, who moved to Los Angeles in the 1980s and has been staying in Barbados since last year, says, "Where you're from is where you were born. I can live in California the rest of my life, but I'm forever a Memphian."

He'll be back in the city Tuesday and Wednesday to promote his new novel, "Decadence" (Dutton, $26.95), which begins as Nia Simone Bijou, the character whose erotic adventures Dickey previously chronicled in "Pleasure," is having a dream that cannot be described in a family newspaper.

"I'm not writing for it to be printed in a newspaper," Dickey says when this fact is pointed out. And when asked whether the omnipresence of the "50 Shades of Grey" S&M fantasy series on bestseller lists has been a boon to other writers in that genre, he says he's not in that genre.

"I've never felt like I write romance. I write about characters. A lot of it is relationship-heavy, but they are not Cinderella stories. I don't lean toward any clichéd happy endings; I keep it realistic. In my books, there's no third act, no hand from God.
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